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Alternately distressing, instructive, contestable, and fascinating, Juliet Bashore’s quasi-documentary plunge into the 1980s porn industry takes an unsparing…

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Panah Panahi, son and collaborator of embattled filmmaker Jafar Panahi and apprentice to Iranian master Abbas Kiarostami, makes…

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Like In the Mood for Love, The Hand is set in the hazy Hong Kong of the 1960s, but its…

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Wong Kar Wai’s breakthrough sophomore feature represents the first full flowering of his swooning signature style. The first…

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